The Ottoman period for Athens began in 1458 with the city’s peaceful occupation, following a treaty between the Ottomans and the last duke of the Acciaioli, and ended in 1821 with the proclamation of Greek Independence. During this period the city was in Ottoman hands continuously with the exception of a brief interval of Venetian occupation between 1687 and 1688, which is usually taken as the boundary between the historical subdivisions of the first and second Ottoman periods. Continue reading Athens in the Ottoman Period
It remains an undisputed fact that what was called neoclassical architecture at the end of the 18th and the first part of the 19th centuries was an international style that was born as a response to the elegant and decorative court aesthetic movements of Baroque and Rococo. The rising social middle class sought new ethical and aesthetic models. These models were found in the ancient democracies of Athens and Rome.
In Greece, this style arrived via Germany. Let us not forget that Bavaria under the rule of King Ludwig was, in that period, among the most important centers of Neoclassicism. Nonetheless, the neoclassical style in Greece acquired its own dynamic and particularity, the main characteristics of which were its re-immersion in classical models, its wide acceptance, which exceeded the monumental structures and the well-heeled classes to reach the wide mass of the population and, finally, its long persistence, which runs to the interwar period. Continue reading Neoclassical Athens
HFC–Berlin presents the work of photographers Stratos Kalafatis – Athos: The Colors of Faith – and Kostas Ordolis – Athens: Angelic and Dark. Join us for the opening, Thursday December 11 at 18:00-21:00. The exhibition will run through January 23, 2015.