Tag Archives: King Otho

Neoclassical Athens

It remains an undisputed fact that what was called neoclassical architecture at the end of the 18th and the first part of the 19th centuries was an international style that was born as a response to the elegant and decorative court aesthetic movements of Baroque and Rococo. The rising social middle class sought new ethical and aesthetic models. These models were found in the ancient democracies of Athens and Rome.

In Greece, this style arrived via Germany. Let us not forget that Bavaria under the rule of King Ludwig was, in that period, among the most important centers of Neoclassicism. Nonetheless, the neoclassical style in Greece acquired its own dynamic and particularity, the main characteristics of which were its re-immersion in classical models, its wide acceptance, which exceeded the monumental structures and the well-heeled classes to reach the wide mass of the population and, finally, its long persistence, which runs to the interwar period. Continue reading Neoclassical Athens


Karagiozis, Greek shadow puppet theater, has a history in Greece that links conceptually with one line of development that goes back to pre-classical times, and with a second, more direct connection, that positions the form in Greece from 1799, the earliest date at which the term shows up in a documented source. Going forward, Karagiozis spawned a comic tradition that served Greece well up to modern times — through epitheorisis, or review performances, Karlos Koun’s theatrical renditions of Karagiozis, and satiric comedy on the stage.* Continue reading Karagiozis